Author and economist Richard Thaler discusses "Nudge: The Final Edition", co-authored by Cass R. Sunstein, which demonstrates how best to nudge us in the right directions, without ever restricting

Author and economist Richard Thaler discusses "Nudge: The Final Edition", co-authored by Cass R. Sunstein, which demonstrates how best to nudge us in the right directions, without ever restricting our freedom of choice.

Every day people make decisions: about the things they buy or the meals they eat; about the investments they make and the time they spend; about their health and the health of the planet. Unfortunately, people often choose unwisely. Nudge: The Final Edition shows us that we are all susceptible to biases that can lead us to make bad decisions that make us poorer, less healthy and less happy. And, as Thaler and Sunstein show, it is not possible for choices to be presented to us in a neutral way. Given this fact of life, why not try to help people choose what is best for themselves, for their families and for society?

Richard H. Thaler was awarded the 2017 Nobel Memorial Prize in Economic Sciences for his contributions to the field of behavioral economics. He is the Charles R. Walgreen Distinguished Service Professor of Behavioral Science and Economics at the University of Chicago Booth School of Business. He is a member of the National Academy of Science and the American Academy of Arts and Sciences, and in 2015 he was the president of the American Economic Association. He has been published in numerous prominent journals and is the author of "Misbehaving: The Making of Behavioural Economics".

Get the book here: .

Robin Wall Kimmerer is a mother, scientist, decorated professor, and enrolled member of the Citizen Potawatomi Nation. She is the author of "The Serviceberry" and "Braiding Sweetgrass: Indigenous

Robin Wall Kimmerer is a mother, scientist, decorated professor, and enrolled member of the Citizen Potawatomi Nation. She is the author of "The Serviceberry" and "Braiding Sweetgrass: Indigenous Wisdom, Scientific Knowledge and the Teachings of Plants," which has earned Kimmerer wide acclaim. Her first book, "Gathering Moss: A Natural and Cultural History of Mosses," was awarded the John Burroughs Medal for outstanding nature writing, and her other work has appeared in Orion, Whole Terrain and numerous scientific journals. In 2022, "Braiding Sweetgrass" was adapted for young adults by Monique Gray Smith. This new edition reinforces how wider ecological understanding stems from listening to the earth’s oldest teachers: the plants around us.

This short film is part of The Arachne Project, a gathering convened in May 2024 by the Spring Creek Project at Oregon State University, with support by the Shotpouch Foundation. A diverse thinking community of writers, conservation biologists, Indigenous leaders, philosophers and others came together to consider what emerging visions and values should guide conservation practices as the world enters a radically uncertain future. Learn more at https://beav.es/arachne.

Emphasis on the "we" in this speech aired by Democracy Now, the Green Party's convention's keynote address delivered by Gar Alperovitz, a professor of political economy at the University of

Emphasis on the "we" in this speech aired by Democracy Now, the Green Party's convention's keynote address delivered by Gar Alperovitz, a professor of political economy at the University of Maryland. He is co-founder of the Democracy Collaborative. Alperovitz is the author of, "America Beyond Capitalism: Reclaiming Our Wealth, Our Liberty, and Our Democracy." In his remarks, Alperovitz stressed the importance of third-party politics to challenge a corporate-run society. "Systems in history are defined above all by who controls the wealth," Alperovitz says. "The top 400 people own more wealth now than the bottom 185 million Americans taken together. That is a medieval structure."

Please join The Commonwealth Club of California and UC Berkeley’s Townsend Center for the Humanities for the second in a series of dialogues on catastrophe, storytelling and the present

Please join The Commonwealth Club of California and UC Berkeley’s Townsend Center for the Humanities for the second in a series of dialogues on catastrophe, storytelling and the present moment. In “Climate Change and Sacred Groves,” Townsend Center scholar Sugata Ray will meet with visual artist Ranu Mukherjee to investigate the relationship between the natural world and the sacred realm, especially as it has developed in India over the last several centuries of civilization and the rise of the Anthropocene era.

In his most recent book, Climate Change and the Art of Devotion, Sugata shows how a site-specific and ecologically grounded theology emerged in northern India in the wake of the Little Ice Age (ca. 1550–1850), an epoch marked by climatic catastrophes across the globe. His interests dovetail in unexpected and compelling ways with Ranu’s visionary and captivating recent work, which positions the banyan tree as a meeting point between ecology and culture. Their conversation will be an opportunity for viewers to contemplate and rethink the role of art as it relates to contemporary concerns around climate, disease, human flourishing and the sacred.

Sugata Ray is associate professor of South and Southeast Asian art in the History of Art Department at the University of California, Berkeley. His research and writing focus on climate change and the visual arts from the 1500s onward. Ray is the author of Climate Change and the Art of Devotion: Geoaesthetics in the Land of Krishna, 1550–1850 (2019); Water Histories of South Asia: The Materiality of Liquescence (2019; coedited); and Ecologies, Aesthetics, and Histories of Art (forthcoming; coedited).

Ranu Mukherjee is a visual artist who makes paintings, animations and large-scale installations. Her current work focuses on shifting senses of ecology, non-human agency, diaspora, migration and transnational feminist experience. Her most recent installation was presented at the ecologically focused 2019 Karachi Biennale; she has exhibited solo at the San Jose Museum of Art, the Los Angeles Museum of Contemporary Art, the Asian Art Museum, and the de Young Museum. She is an associate professor in graduate fine art at the California College of the Arts. Mukherjee is represented by Gallery Wendi Norris.

NOTES
Artwork from The Met (in public domain): "Krishna and Balarama by a River: Page from a Dispersed Bhagavata Purana (Ancient Stories of Lord Vishnu)"

Part one in this series, “The Book of Exodus,” can be viewed here


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Published on Nov 5, 2014